Duke Ellington Home Again Blues Recording Date
In September of 1923 Elmer Snowden's Washington Black Sox Orchestra landed a vi month gig at the Hollywood Club in Manhattan. Later on about three months the name of the grouping was shortened to the Washingtonians and because of a disagreement over money, banjoist Snowden was forced out of the band and Duke Ellington was elected every bit the new leader.
Ellington and the band connected to play at the club until January of 1925 when the place was closed for repairs. Trumpeter Bubber Miley was the chief attraction in the group and gave it its unique sound, with his utilize of the plunger mute. The way which featured Miley'south growling, drunken, wah-wah trumpet playing was called the "jungle sound".
Ellington'south early on theme vocal Due east St. Louis Toodle-Oo is a skilful instance of this manner of playing. When the Hollywood Club reopened in the spring of 1925 information technology was renamed the Kentucky Lodge. The band then became known as Knuckles Ellington and his Kentucky Club Orchestra although they also continued to tape as the Washingtonians up until 1929.
| Title | Recording Date | Recording Location | Company |
| Creature Crackers (H. Link / S. Coslow / Rich) | 7-21-1926 | New York, New York | Champion 15118 |
| Black And Tan Fantasy (Knuckles Ellington / Bubber Miley) | four-7-1927 | New York, New York | Brunswick 3526 |
| Black Beauty (Burn down H2o) (Duke Ellington) | 3-21-1928 | New York, New York | Brunswick |
| Black Dazzler (Fire Water) (2) (Duke Ellington) | 3-21-1928 | New York, New York | Brunswick 4009 |
| Bugle Call Rag (Jack Pettris / Elmer Schoebel / Billy Meyers) | ane-9-1928 | New York, New York | Harmony 577-H Diva 2577-K |
| Choo Choo (Gotta Hurry Home) (Duke Ellington / R. Shafer / Dave Ringle) | eleven-1924 | New York, New York | Blu-Disc 1002 |
| Doin' The Voom Voom (Duke Ellington / Bubber Miley) | 9-10-1929 | New York, New York | Cameo |
| Down In Our Aisle Blues ( Duke Ellington / Otto Hardwick) | iii-22-1927 | New York, New York | Columbia 1076-D |
| East St. Louis Toodle-Oo ( Duke Ellington / Bubber Miley) | 3-22-1927 | New York, New York | Columbia 953-D |
| East St. Louis Toodle-Oo (Duke Ellington / Bubber Miley) | three-1928 | New York, New York | Pathé Actuelle Perfect |
| E St. Louis Toodle-Oo ( Duke Ellington / Bubber Miley) | iii-1928 | New York, New York | Cameo |
| Flaming Youth (Duke Ellington) | 9-10-1929 | New York, New York | Cameo |
| Georgia Grind (Spencer Williams) | 3-1926 | New York, New York | Pathé Actuelle Perfect 104 A |
| Hot And Bothered (Duke Ellington) | x-1928 | New York, New York | Pathé Actuelle Cameo |
| Hop Head (Knuckles Ellington / Otto Hardwick) | 3-22-1927 | New York, New York | Columbia 953-D |
| If You Can't Concur The Homo You Love (S. Fain / I. Kahal) | iv-1-1926 | New York, New York | Gennett |
| I'm Gonna Hang Around My Carbohydrate (Spencer Williams / Jack Palmer) | 9-seven-1925 | New York, New York | Pathé Actuelle Perfect |
| Jubilee Stomp (Knuckles Ellington) | 3-1928 | New York, New York | Pathé Actuelle Perfect |
| Jubilee Stomp (Duke Ellington) | 3-1928 | New York, New York | Cameo |
| Jubilee Stomp (Duke Ellington) | 3-21-1928 | New York, New York | Brunswick 4044 |
| Li'L Farina (Mier / Smith) | 7-21-1926 | New York, New York | Champion 15120 |
| Move Over (Duke Ellington) | 10-1928 | New York, New York | Pathé Actuelle Cameo |
| Parlor Social Stomp (Duke Ellington) | 3-1926 | New York, New York | Pathé Actuelle Perfect 104 B |
| Rainy Nights (Rainy Days) (Duke Ellington / Jo Trent / Lopez) | 11-1924 | New York, New York | Blu-Disc 1002 |
| Saturday Nighttime Part (Duke Ellington / Barney Bigard) | ix-10-1929 | New York, New York | Cameo |
| Saratoga Swing (Barney Bigard) | iii-15-1929 | New York, New York | Cameo |
| Soliloquy (Rube Bloom) | iv-thirty-1927 | New York, New York | Brunswick 3526 |
| Stack O'Lee Dejection (Ray Lopez / L. Colwell) | ane-nine-1928 | New York, New York | Harmony 601-H |
| Sweet Mama (Papa's Gettin' Mad) | one-9-1928 | New York, New York | Harmony 577-H Diva 2577-G |
| Take It Piece of cake (Duke Ellington) | iii-1928 | New York, New York | Pathé Actuelle Perfect |
| Take Information technology Easy (Duke Ellington) | 3-1928 | New York, New York | Cameo |
| Accept It Easy (Knuckles Ellington) | iii-21-1928 | New York, New York | Brunswick 4009 |
| The Mooche (Duke Ellington / Irving Mills) | x-1928 | New York, New York | Pathé |
| The Mooche (Duke Ellington / Irving Mills) | ten-1928 | New York, New York | Cameo |
| Tishomingo Dejection (Spencer Williams) | 6-25-1928 | New York, New York | Brunswick |
| Trombone Blues (H. Williams / T. Nixon) | 9-7-1925 | New York, New York | Pathé Actuelle Perfect |
| Wanna Get Back Over again Blues (Lou Handman / Roy Turk) | 4-one-1926 | New York, New York | Gennett |
| Who Said "It'south Tight Like That"? | 3-fifteen-1929 | New York, New York | Cameo |
| Yellow Dog Blues (W.C. Handy) | half-dozen-25-1928 | New York, New York | Brunswick |
| Creative person | Musical instrument |
| Barney Bigard | Clarinet, Tenor Saxophone |
| Wellman Braud | Bass |
| Rube Bloom | Arranger |
| Harry Cooper | Trumpet |
| June Clark | Trumpet |
| Pike Davis | Trumpet |
| Bass Edwards | Tuba |
| Duke Ellington | Piano |
| Sonny Greer | Drums |
| Fred Guy | Banjo |
| Charlie Irvis | Trombone |
| Otto Hardwick | Clarinet, Soprano, Alto, and Baritone Saxophone |
| Johnny Hodges | Clarinet, Alto Saxophone |
| Louis Metcalf | Trumpet |
| Bubber Miley | Cornet, Trumpet |
| Joe Nanton | Trombone |
| Don Redman | Clarinet, Alto Saxophone |
| Prince Robinson | Clarinet, Tenor Saxophone |
| Roy Rutledge | Trumpet |
| Billy Taylor | Tuba |
| Arthur Whetsel | Trumpet |
| Cootie Williams | Trumpet, Vocals |
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